Robot | Path | Permission |
GoogleBot | / | ✔ |
BingBot | / | ✔ |
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YandexBot | / | ✔ |
Title | SINdie | Southeast Asian Cinema and |
Description | FUND Southeast Asian Films and beyond! |
Keywords | SINdie | Southeast Asian Cinema and Beyond |
WebSite | sindie.sg |
Host IP | 216.239.36.21 |
Location | United States |
Site | Rank |
US$3,616,005
Last updated: 2022-07-11 12:12:52
sindie.sg has Semrush global rank of 2,927,071. sindie.sg has an estimated worth of US$ 3,616,005, based on its estimated Ads revenue. sindie.sg receives approximately 417,232 unique visitors each day. Its web server is located in United States, with IP address 216.239.36.21. According to SiteAdvisor, sindie.sg is safe to visit. |
Purchase/Sale Value | US$3,616,005 |
Daily Ads Revenue | US$3,338 |
Monthly Ads Revenue | US$100,136 |
Yearly Ads Revenue | US$1,201,627 |
Daily Unique Visitors | 27,816 |
Note: All traffic and earnings values are estimates. |
Host | Type | TTL | Data |
sindie.sg. | A | 599 | IP: 216.239.36.21 |
sindie.sg. | A | 599 | IP: 216.239.38.21 |
sindie.sg. | A | 599 | IP: 216.239.34.21 |
sindie.sg. | A | 599 | IP: 216.239.32.21 |
sindie.sg. | NS | 86400 | NS Record: ns2.shana.sg. |
sindie.sg. | NS | 86400 | NS Record: ns3.shana.sg. |
sindie.sg. | NS | 86400 | NS Record: ns1.shana.sg. |
sindie.sg. | MX | 14400 | MX Record: 10 aspmx2.googlemail.com. |
sindie.sg. | MX | 14400 | MX Record: 5 alt2.aspmx.l.google.com. |
sindie.sg. | MX | 14400 | MX Record: 1 aspmx.l.google.com. |
sindie.sg. | MX | 14400 | MX Record: 5 alt1.aspmx.l.google.com. |
sindie.sg. | MX | 14400 | MX Record: 10 aspmx3.googlemail.com. |
sindie.sg. | TXT | 300 | TXT Record: google-site-verification=JSXgPZIJ1Jffb8YwRVqEmlND3MBzXKidQAC0dndaFP4 |
sindie.sg. | TXT | 300 | TXT Record: v=spf1 ip4:139.99.6.226 include:_spf.google.com ~all |
Home STOP10 shoutOUT! FEATURES REVIEWS There is a joke, or multiple jokes, lurking out there about writers writing about writing, a perennial format that sprouted “practically like a sub-genre,” as writer David Laskin noted in an essay for Literary Hub. Within the realms of a contemporary (white, male, middle-classed, note these conditions) canon, the solipsistic list goes on from Karl Ove Knausgaard to Stephen King (Who can forget the inimitable Jack Torrance and his axe through the door, much like how any creators working in a commercial capacity imagine burying the hatchet… in a client’s skull.) In the film world it is no different, 8½ to Cannibal Holocaust , Ed Wood to The Blair Witch Project , the filmmaker’s neuroses from aspiring to veteran, from the unfortunately deceased to the soon-to-be deceased, is well-documented in multiple sense. And we have not even started on the documentaries, mini-series, and biopics centred on everyone else who is not the director; not to mention |
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